“Mickey 17”
The latest of Bong Joon Ho follows Mickey (Robert Pattinson) on a dangerous space flight he dies over and over again and revives him by cloning and develops a relationship with a crew member, Nasha (Naomi Aki).
From our review:
Like the crew of the working class in the drip boat outside the ground in the “Gharib” of Ridley Scott, Mickey, Nasha and the rest of the workers, they are heading to an unavailable and dangerous area. There will be monsters, yes, blood. Likewise, there will be love, kindness, friendship, heroism and sacrifice in a movie that shines near horrific despair, but also, because Pong is finally perfect and not only one of the great film makers who work today, raises you to the sky.
In theaters. Read the full review.
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The rules are loaded with the heart.
‘Ephus’
Before closing the baseball stadium in a small town permanently, two local entertainment teams meet in a final match in this drama, directed by Carson Lund.
From our review:
It lives in some of the restricted space between Hangout Movie and Elegy, and it is a tribute to the community institutions that bring us together, and that we have exposed each other, and that in the era of improved life options and the disappearance of public spaces, they fade slowly. This makes it look very dangerous, which is “Eephus” not.
In theaters. Read the full review.
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Cultural bruises account.
“To become a Guinea bird”
After Shula (Susan Chardi) discovered her uncle’s body on the side of the road, the secrets of the family begin to appear in this dark drama directed by Ronjano Newoni.
From our review:
Rongano Newoni, who was born in Zambia and grew up in Wales, knows how to put an entrance, and also does Shula. She is a great character, and while she gives you the introduction she arrested from the beginning, Shula keeps you tied all the time. HERS is a story of simple and fixed discoveries, a story that escapes from anxious visions and urgency.
In theaters. Read the full review.
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Black and white with a lot of differences.
“There is still tomorrow”
This drama, which he brought out and starring Paula Cortelisi, focuses on Delia, a mother of three children in Rome after the Second World War, which her husband Ivano (Valerio Mastandria) showcase.
From our review:
Cortelisi, as an exit and performance, does not drown in misery. The beautiful sensation of the place, which is inhabited by unforgettable characters (the bed of the bed in Ivano; the best friend of Delia, who runs a position of vegetables; the mechanic in the state of Delia’s love), shows the richness of Delia’s life in a balance without effort of humor and tragedy.
In theaters. Read the full review.
The ROM-Com, which does not take a long time to develop.
“This”
When a mediator predicts that the very independent PIA (Simon Ashley) will meet the love of her life on her next five dates, her family rushes to prepare her in this national ROM directed by Parthana Mohan.
From our review:
The painting here is alive. The screens – sometimes vertically, at other times horizontally – all in the spirit of fun, while music is a mixture of international pop grooves. Despite all the challenges that can be able to be crushed, the loss of her actions, the lack of live in her dream to be a photographer, and her beloved younger sister – “Imagine this”, keeps him light, and does not leave sharp edges of potential failure to focus.
Watch the main video. Read the full review.
Humor is far, far away.
“Empire”
Two foreign race, one and zero, descends on a small fishing village in northern France, where they are fighting for control and participation in the love triangle between species.
From our review:
We discover us in a hunting village in northern France to watch a war outside the planet to control mankind. However, what appears to be less space opera is less than the mitigmile farce – a sarcastic “stars war” of increasing confidence and decreasing fun.
In theaters. Read the full review.
Sufficiently bad.
“In the lost lands”
Dave Botista and Mila Jovovich star as a body hunter and charming in the pursuit of pieces in this romantic work directed by Paul Ws Anderson.
From our review:
Although Anderson and his reliable cinematic photographer are able to fram and light the coordinated shots, the cheap effects used in many extinguishing knowledge and explosions in the film seem to be a wave of pixels. Tahrir tries to hide these shortcomings, and outperform the procedure to the point that they are incomprehensible. Perhaps this is for the better.
In theaters. Read the full review.
A wrestling film stuck in one angle.
“The Queen of the Ring”
This sporting drama, which was directed by Ash Aveldsen Meldid Burke (Emily Pitt Riccards), follows a waitress that becomes a wrestler in the thirties.
From our review:
In the second heavy half, the “Queen of the Ring” loses cohesion when it rushes through a story about the competing women’s league championships and the characters of the side lines that I presented only recently. The lean causes any honest emotion to Shuk. One senses that Avildsen was desperate to firm emotional punch, but he could have pulled some instead.
In theaters. Read the full review.
This robot team presses all the right buttons.
“Fracture Rules”
Four young girls became the first robot team in Afghanistan, traveling to a global competition in Washington and facing trials and victories along the way.
From our review:
This is a story about the first male: Roya Mahabu, who led a student initiative, is the first woman to have a technical company in Afghanistan. Director Bill Guttage and representatives get a spirit that can be essentially, as well as societal assessments that make such a special impressive perseverance, but it is also a story that could have been listed with more access and ingenuity.
In theaters. Read the full review.
All dolls and not anywhere for running.
“Jenny Ben”
John Lihjo plays the role of Dave Kerily, who is sick in a living facility with the help of other residents of the doll of a creeping child in the horror movie directed by James Ashcrouft.
From our review:
The director is still almost a strait in his approach, and he has never shown his weak characters (and the torture with the taste of Litjjo, ultimately, without protection like any of the others) in cases of complete separation.
In theaters. Read the full review.
The shock of the play.
“Seven Hijab”
In this drama that ATOM EGIAN directed, Janine (Amanda Severid) went to a production of opera reaffirming shocking memories.
From our review:
“Seven Veils” offers a lot to think about it. But fans who descend that Egoyan dramatic instincts have declined in recent years will not get a return to the model. Seyfrid looks in particular in place, and although the known badness may be intended (Jenin, with an interview with one of the tools, clearly explains that it is older than what it looks), and some plot points and decorations, such as home and mandarin -neutrals, and self -approaching.
In theaters. Read the full review.
Collected by Kelina Moore.
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