“EL Mal” from “Emilia Pérez” wins Oscar with the best original song

French composer Dio Clement Ducly and Camel won the original song award at the Academy Awards on Sunday for their “El Mal” track.

In January, “El Mal” also got Golden Globe in the same category.

The music “Emilia Perez” is a lot of things – and it is a musician and like a transgender, and is controversial indefinitely and is often criticized for photographing Mexican culture.

“We are very grateful,” Camille said in the admission speech. “We have written” El Mal “as a song to condemn corruption, and we hope that you will talk about the role that music and art can play and continue to play as the power of goodness and progress in the world.”

The award was presented by Make Jagger. “I was not the first option,” he said jokingly. “The producers really wanted to do Bob Dylan.”

Ducly and Camel defeated Diane Warren from “The Journey” from “The Six Triple Eight”, Elton John, Bernie Taupin, Brandi Carlile and Andrew Watt for “Never Ead Elton” from “Elton John: It is not too late”, and Abraham Alexander, Brandon Marcel, and Black Pumas’ Adrian Questada for “like” the bird of singing “.

They also defeated themselves: their composition “Mi Camino” from “Emilia Pérez” was also the award.

The first time candidates had a total of three nominations, including the original result, at the Oscars 97.

“You move from anxiety to relief, fill energy and need to do so,” Cameel told Associated Press in January, when the nominations were announced. “We have worked a lot, and we have worked a lot in the campaign … I feel very satisfied and very happy for all the team.”

Cameel said that the movie’s confession “represents something very important.”

“It’s a very free, provocative, sympathetic, emotional movie. I really think this is what we need now.”

“It is completely incredible. You were like,” What? “It’s three nominations. It’s huge,” Docol added. “We have shared at the beginning of the story’s construction in music … So everything is linked together, between the scenario, scenario and songs. Thus, we feel our story, our movie … It is not just a musician or reflects a story or reflects the movement in the movie. Music and songs, in this movie, is the scenario. It is the story.”

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