Jane Hakman Brave, Old School style

In contracts separated between Suve Cary Grant from Willowy Timothée Chaalamit, there was a pioneering man with a kind of magic.

Even at the height of the box office, Jin Hakman Hair Decap and Paunch. He could have passed for 50 when he was 30 years old. He described himself as “a great person from people.”

His first role was worth noting to Jean -Serber in the movie “Lilith” for the year 1964. Mrs. Seburg said that she found Mr. Hakman handsome because his face had a lot of the character – but she did not believe that he would go far in making Fadl Warren Betty and other traditional gravitational men.

But changing the positions demanded a new type of stars, and Mr. Hakman arrived when the sharp focus cinema in the mid -century gave the path to the pill in the seventies of the last century, the time when the line between the hero and the anti -disorder was unclear.

He was 40 years old when he had the first pioneer, in the drama, “I never sang for my father.” The following year, put a hat of Porkpie to play Poppeye Doyle in “The French Connection”, a performance that he won at the first Oscars.

Watching with his upbringing in the Middle West, he was modest and polite, but he was not always able to keep his anger. He usually had controversy with executives, producers and managers – anyone in power mode.

The news of his death came within a week when the movie stars were in the era of social media that participated in the social media era swinging on their way during the final rounds of the holders of expensive academic and detailed academic awards. Suddenly, it seemed that the strong susceptibility in the heart of Mr. Hakman’s work and her personality was a remnants of the days when the actors were not keen to smile on a braid, and not ready to play the game.

He had a pioneering role in “The Poseidon Adventure”, one of the largest films in the 1970s, but he was inclined to extract the film in the interviews, and he refused an opportunity to participate in a planned complement, even when he was offered to him on a nice payment.

He narrated the story of his rejection in the 1974 episode of “The Tonight Show”. Mr. Hakman was sitting next to Johnny Carson, who took clouds from time to time from a cigarette, was the model of a pioneer in the 1970s, with his unwinding small, thin hair, thick mustache, and a wide lipid, and brown brown shirt because he mocks the executives of the film film and their rift plan. He said, “They called me, and I said,” Well, yes, but I was killed in the last five minutes of the movie. “Well, we will turn.” I said, “I don’t think so.”

While making the “package”, an exciting film for women in the 1980s, he was recently angry at night in the streets of Chicago because of what he considered a defect in the text. His personality, Marxman’s expert, was called to release his weapon nine times on a bad man. With the temperature close to scratch, he entered into an intense debate with a product, on the pretext that his personality was very skilled with a pistol to continue the missing persons like this.

His stubbornness, integrity, and cross storms have bleached in his characters and became a major part of his attractiveness, making him a attractive figure for the unprecedented cinema pioneers by Mr. Betty or another classic pioneer at that time, Robert Redford.

His experience in his life distinguishes him from his rivals. He was working in a steel factory in one summer during his high school years and was recruited in a naval weapon in the United States at the age of 17. After he was placed in four years of military service, he got his livelihood as a shoe seller, soda, truck driver, guard, and role while trying to make a name for himself in New York and California.

It is constantly underestimated. As a 26 -year -old potential professional, he had gone out of the Pasadina theater because there was no “talent”, after a decade, which was launched from the “graduate” crew during the rehearsals.

He spoiled his dissatisfaction against those who diluted and used it as fuel. Francis Ford Coppola said Mr. Hakiman looked completely miserable during the filming of the 1974 monitoring movie. Well, he had the reasons for his low mood in the group. He explained in an interview with the New York Times: “The misery was partially wrong for Coppola,” because he allowed that he wanted (Marlon) Brando for this role, and Brando did not want to do so. I loved the role of the role, but I also knew that I was the second choice. “

Most actors are satisfied when famous authors write to them as part of it. But Mr. Hakiman was angry when Wes Anderson told him that he was writing the character-Patriarch Royal Tennbum-specifically. “He said, I don’t like it when people write for me, because you do not know me, and I do not want what you think I am.”

While making “The Royal Teenbauums”, Mr. Hagman Anderson Hill gave and his colleagues isolated the team members. Ten years later, during a movie anniversary show at the New York Film Festival, its stars called on Angelica Huston and Bill Murray publicly for his behavior.

Mr. Hakman simply did not bother to tell anyone that his collapse was part of the old school process. “There was great love in the group,” he said in an interview shortly after the release of the movie. “However, at the same time I was very conflicting, because people were very smaller than me and felt out or ignored. This was not true. I knew this was not true, but I used it anyway.”

As a child of depression in Danville, Illinois, he dreamed of becoming an actor. But when he compared himself with a jaws on Swashbuckles on the silver screen, he felt he was not worth his ambition, so he was ashamed of himself to entertain the idea that he could be a star.

He said in an interview in 1986: “I was going out of the theater after I watched the movie Errol Flynn and took a look at the mirror in the lobby and amazed that I did not look like this man.” “I strongly wanted to do so, but I never thought at a later time.”

It turns out that Mr. Hakman has something better than just a means. It was a stubborn life that could only come whenever it was on the camera. It made him not forget more than any experienced idol.