DOECHII, Michelle Yeh and Dev Patel at the Louvre Museum

There was a theater in Dior on the first day of the Paris Fashion Week. Strong luster in Alaa. But for the drama of real clothing, nothing compared to the fashion show that occurred in front of the bright glass pyramid from the Louvre Museum at the evening of the opening of the groups, where the guests arrived at the Grand Dîner Museum, which many not referred to to the museum’s choir.

Duchi, in a corresponding pyramid of yellow fashion Valentino (the skirt was so big that she later turned into a blue dress without a belt, and is supposed to help her move on the party). Le Douleon, in an asymmetric white dress cut into the hip. Zoe Dicch, in peach chiffon. Gigi Hadid, in gold, Jeremy Scott, her hair in the waves drawn.

Of course, there was a Vogue and Met Gala Editor, the mastermind of Anna Winner there, in Rose Rose and Calo, Glue Givenchy written by Sarah Burton, a peek on what would come when Mrs. Berton appears for the first time in that house later in the week. Although Mrs. Winten was a guest, instead of the evening chair. Although the dress law was simply a “black tie”, rather than any kind of more complicated and attention topic.

At the entrance, there was no receipt line, as in MET, but there were rows of the silver hall chairs prepared around the demonstration platform. Moreover, the guests wandered at the museum’s first fashion exhibition, “Lotvre Couture”, before entering Cour Marly, the Great Hall full of classic glass, for the cocktail and dinner party. “Does it seem like a Met party for you?” Modting a woman to another. The answer was a raised eyebrow.

In fact, the mood was very luxurious schools, if the school was the fashion university, instead of the main cultural phenomenon, the most profitable and more monitored charitable party of any year.

Keira Knightley, in Chanel Black without a belt, hugged Rosie Huntington Whitley in the black sequins. Naomi Campbell, in a black dress under the Chanel Coral Coral Coral from Chanel by Karl Lagerfeld, compared children with Adut Akech, at Sparkly Ivory Valentino, who is three months old. Sydney Toulidino, CEO of LVMH fashion collection, brono Pavlovsky, Chanel Fashion President, applauded the shoulder (as they were sitting on tables at two different levels of Core Marley, later, Mr. Toulido, Mr. Pavlovsky, wrote: “Why are you here and there?”).

The Philippines Leroy Biwioli compared Emily in Paris Black Bansiaga dresses with Michelle Yuh. Carla Brunei Sarkozy, the former French first lady, wears a white Galiano dress in 1995 with a big black rose, Rashida Dati, French Minister of Culture, accepted both cheeks. As for John Galliano himself, he showed his new hairstyle and escaped from the last “disposal of the orgasm” he enjoyed in Mexico. David and Victoria Beckham walked side by side, and Dave Patel took less than the union (he was wearing a gray suit instead) his seat on a table with JISOO of BlackPink.

Duro Olu, the British Nigerian designer, with consent-sometimes, perhaps, that a dead party, with his scheduled entrances, has tightly arriving, it can sometimes seem to seem sometimes that it seems that a dead party, with his scheduled entrance Sometimes more than a party. To the extent that Gweneth Partro once announced that it did not return because it was “unavailable” (later retreated).

This does not seem to be a problem with Grand Dîner. “Andre he loved this,” said Ms. Campbell, who was investigating the room.

The Louvre Museum has been annually over the past few years, and it was often largely attended by donors from the private sector, but they had never previously had the event in public. This has changed because of “Lotvre Couture”, which was opened in January and wandered 100 pieces of historical fashion designers (Dior, Saint Laurent) and Jadid (Marine Siri, Mr. Olu) against the background of the decorative arts wing in the museum.

The exhibition, Lawrence Des Cars, the first president of the Louvre Museum, allowed the re -imagination of donations as a celebration of the fashion industry with their attention towards taking advantage of the deep pockets of the sector, which does not like anything as much as it is considered in the same world of art that was conditional on a large group of popular events such as events.

This matters because there are less charitable traditions in Europe than in the United States. Historically, the French state supported the arts. However, these budgets are shrinking, and the Louvre Museum at the beginning of a huge renewal project-can cost 700-800 million euros (although rumors are that it can reach 1.5 billion euros). Enter Grand Dîner.

However, the amounts concerned reflect the fact that this approach is only in its cradle. Tables reached 10,000 euros instead of MET at a value of $ 350,000, and the total amount collected was about one million euros – a record of the party, but it is much lower than MET with a value of $ 26 million in 2024. (To be fair, there is no other cultural event in the United States approaching this number as well). All this goes to the Louvre and Educational Recovery Initiatives, such as VISA, which sponsored the fashion show, also confirms the party’s costs.

However, Mrs. Des Karz said that the evening was all that I imagined.

When asked if the Grand Dîner would become a key player at the Fashion Week and the museum’s schedule, Ms. Desckers said she thought – although the Louvre Museum is not the only French Museum who thought about taking a MET page and hosting a costume for money and attention.

In July, during high -end fashion shows, Musa Dies decorations for the arts, which fall into the Louvre Museum Palace, are hosting its first event (summer ball), which is another major event. Although the table prices are currently, which distort more than the MET level of Grand Dîner, are the subject of some controversy.

Thus, the battle of fashion donations begins.